Early Television  
Mechanical TV History How it Works Mechanical Sets at the Museum Gallery Database Summary Broadcasting Technical Inforation Restoration Advertising Articles Roger DuPouy's Site Peter Yanczer's Site Gerolf Poetschke's Site Eckhard Etzold's Site
Early Electronic Television History American Sets at the Museum British Sets at the Museum Gallery Database Summary Broadcasting CRTs Accessories Technical Information Restoration Advertising Articles Gerolf Poetschke's Site Eckhard Etzold's Site
Postwar American TV History American Sets at the Museum British/Europen TV History British/Europen Sets at the Museum TV in the Rest of the World Gallery of Unusual Sets Broadcasting CRTs Accessories Technical Information Restoration Advertising Articles Eckhard Etzold's Site
Early Color TV History Sets at the Museum Gallery Database Summary Broadcasting CRTs Accessories Technical Information Restoration Advertising Articles Pete Deksnis's Site Ed Reitan's Color Television History Eckhard Etzold's Site
The Early Television Foundation About the Museum Directions to the Museum Articles about the Museum Support the Museum Join our Email List Our Newsletter - "What's New in Old TVs" Equipment Donations Museum Members and Supporters Members Only Monthly Online Meetings Annual Convention Swapmeets
What's New on the Site Classifieds Parts for Sale Resources North American Radio and TV Museums Search the Site
Contact Us Facebook YouTube Channel

Mechanical Television

Mechanical TV: How it works

Early Television

Mechanical TV uses rotating disks at the transmitter and the receiver. These disks have holes in them, spaced around the disk, with each hole slightly lower than the other.

The camera is located in a totally dark room. A very bright light is placed behind the disk. The disk is turned by a motor, so that it makes one revolution every frame of the TV picture. In the Baird standard, for instance, the disk has 30 holes and is rotated 12.5 times per second. A lens in front of the disk focuses the light on the subject being televised.

As the light hits the subject, it reflects into a photoelectric cell, which converts the light energy to electrical impulses. Dark areas of the subject reflect very little light, and only a small amount of electrical energy is produced, while bright areas of the subject reflect more light, and therefore more electrical energy is produced.

The electrical impulses are amplified and transmitted over the air to the receiver, which also has a disk turned by a motor, which turns at exactly the same speed as the one at the camera (there are several methods of synchronizing the motors). A radio receiver picks up the video transmissions and connects to a neon lamp, which is is placed behind the disk. As the disk rotates, the neon lamp puts out light in proportion to the electrical signal it is getting from the receiver. For dark areas, very little light is put out; for bright areas, more light is put out. The image is viewed on the other side of the disk, usually through a magnifying lens.

There are other methods of producing pictures using mechanical means, such as the mirror screw, mirror drum,  and lens disk. For information on these systems, see Peter Yanzcer's website.

 


 
Early Television Museum
5396 Franklin St., Hilliard, OH 43026
(614) 771-0510
info@earlytelevision.org